{"id":301,"date":"2021-01-07T10:04:12","date_gmt":"2021-01-07T10:04:12","guid":{"rendered":"https:\/\/www.sabine-garrone.com\/repertoire\/"},"modified":"2021-01-07T10:58:47","modified_gmt":"2021-01-07T10:58:47","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/www.sabine-garrone.com\/fr\/repertoire\/","title":{"rendered":"R\u00e9pertoire"},"content":{"rendered":"

[vc_row row_height_percent=\u00a0\u00bb0″ override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb3″ top_padding=\u00a0\u00bb3″ bottom_padding=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″][vc_column width=\u00a0\u00bb1\/1″][vc_custom_heading text_size=\u00a0\u00bbh4″ text_weight=\u00a0\u00bb600″]R\u00f4les[\/vc_custom_heading][vc_column_text css_animation=\u00a0\u00bbalpha-anim\u00a0\u00bb]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Rosina<\/td>\nLes Fian\u00e7ailles au couvent \/ Prokofiev<\/td>\nFestival de Glyndebourne<\/td>\n<\/tr>\n
Georg<\/td>\nFr\u00fchlings Erwachen (L\u2019\u00c9veil du printemps) \/ Mernier<\/td>\nOp\u00e9ra Royal de La Monnaie, Bruxelles \/ Op\u00e9ra National du Rhin, Strasbourg<\/td>\n<\/tr>\n
S\u0153ur Mathilde<\/td>\nLes Dialogues des Carm\u00e9lites \/ Poulenc<\/td>\nHalles aux Grains, Toulouse<\/td>\n<\/tr>\n
Suzuki<\/td>\nMadama Butterfly \/ Puccini<\/td>\nOp\u00e9ra de Dijon<\/td>\n<\/tr>\n
Nicklausse, la muse<\/i><\/td>\nLes Contes d\u2019Hoffmann \/ Offenbach<\/td>\nOp\u00e9ra de Dijon \/ Le Pin galant de M\u00e9rignac \/ Th\u00e9\u00e2tre Municipal de Grenoble \/ Festival de St C\u00e9r\u00e9 \/ etc.<\/td>\n<\/tr>\n
La voix de la m\u00e8re<\/td>\nLes Contes d\u2019Hoffmann \/ Offenbach<\/td>\nOp\u00e9ra de Dijon \/ Le Pin galant de M\u00e9rignac \/ Th\u00e9\u00e2tre Municipal de Grenoble \/ Festival de St C\u00e9r\u00e9 \/ etc.<\/td>\n<\/tr>\n
Nancy<\/td>\nAlbert Herring \/ Britten<\/td>\nOp\u00e9ra des Flandres (Op\u00e9ra studio), Gand et Anvers<\/td>\n<\/tr>\n
Sylvia, la messag\u00e8re<\/i><\/td>\nL\u2019Orfeo \/ Monteverdi<\/td>\nLugo et S\u00e9govie<\/td>\n<\/tr>\n
Speranza<\/td>\nL\u2019Orfeo \/ Monteverdi<\/td>\nLugo et S\u00e9govie<\/td>\n<\/tr>\n
Deuxi\u00e8me Dame<\/td>\nDie Zauberfl\u00f6te (La Fl\u00fbte enchant\u00e9e) \/ Mozart<\/td>\nFestival de St C\u00e9r\u00e9<\/td>\n<\/tr>\n
Giunone<\/td>\nLa Didone \/ Cavalli<\/td>\nGuildhall School of Music & Drama, Londres<\/td>\n<\/tr>\n
Fortuna<\/td>\nLa Didone \/ Cavalli<\/td>\nGuildhall School of Music & Drama, Londres<\/td>\n<\/tr>\n
Adza<\/td>\nL\u2019\u00c9toile \/ Chabrier<\/td>\nGuildhall School of Music & Drama, Londres<\/td>\n<\/tr>\n
Une Berg\u00e8re<\/td>\nLa F\u00eate de Ruel \/ Charpentier<\/td>\nCheltenham International Festival of Music<\/td>\n<\/tr>\n
St\u00e9phano<\/td>\nRom\u00e9o et Juliette \/ Gounod<\/td>\nOp\u00e9ra des Flandres (Op\u00e9ra studio), Gand<\/td>\n<\/tr>\n
\u00c9tudiante 1, 2 et 3<\/td>\nRepublica-Republica \/ Kojoukharov<\/td>\nOp\u00e9ra de Montpellier (Op\u00e9ra Junior)<\/td>\n<\/tr>\n
Une Isra\u00e9lite<\/td>\nEsther \/ Moreau<\/td>\nOp\u00e9ra de Montpellier (Op\u00e9ra Junior) \/ Villa M\u00e9dicis, Rome (Les Demoiselles de St Cyr)<\/td>\n<\/tr>\n
Didon<\/td>\nDidon & En\u00e9e \/ Purcell<\/td>\nOp\u00e9ra de Montpellier (Op\u00e9ra Junior)<\/td>\n<\/tr>\n
2\u00e8me \u00c9tudiant<\/td>\nCelui qui dit oui, Celui qui dit non (Der Jasager, Der Neinsager) \/ Weill<\/td>\nOp\u00e9ra de Montpellier (Op\u00e9ra Junior)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb0″ override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb3″ top_padding=\u00a0\u00bb3″ bottom_padding=\u00a0\u00bb3″ back_color=\u00a0\u00bbcolor-lxmt\u00a0\u00bb overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″][vc_column width=\u00a0\u00bb1\/1″][vc_custom_heading text_size=\u00a0\u00bbh4″ text_weight=\u00a0\u00bb600″]R\u00f4les \u00e9tudi\u00e9s dans leur totalit\u00e9[\/vc_custom_heading][vc_column_text css_animation=\u00a0\u00bbalpha-anim\u00a0\u00bb]<\/p>\n\n\n\n\n\n\n\n
Yniold<\/td>\nPell\u00e9as et M\u00e9lisande \/ Debussy<\/td>\n<\/td>\n<\/tr>\n
Dimitri<\/td>\nFedora \/ Giordano<\/td>\n<\/td>\n<\/tr>\n
Un piccolo savoiardo<\/td>\nFedora \/ Giordano<\/td>\n<\/td>\n<\/tr>\n
La m\u00e8re<\/td>\nCendrillon \/ Kojoukharov<\/td>\nDoublure, Op\u00e9ra de Montpellier (Op\u00e9ra Junior)<\/td>\n<\/tr>\n
Frau Gabor & Frau Bergmann<\/td>\nFr\u00fchlings Erwachen (L\u2019\u00c9veil du printemps) \/ Mernier<\/td>\nDoublure, Op\u00e9ra Royal de La Monnaie, Bruxelles<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb0″ override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb3″ top_padding=\u00a0\u00bb3″ bottom_padding=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″][vc_column width=\u00a0\u00bb1\/1″][vc_custom_heading text_size=\u00a0\u00bbh4″ text_weight=\u00a0\u00bb600″]R\u00f4les partiellement \u00e9tudi\u00e9s ou ex\u00e9cut\u00e9s[\/vc_custom_heading][vc_column_text css_animation=\u00a0\u00bbalpha-anim\u00a0\u00bb]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Erika<\/td>\nVanessa \/ Barber<\/td>\n<\/td>\n<\/tr>\n
Hermia<\/td>\nMidsummer Night\u2019s Dream (Le Songe d\u2019une nuit d\u2019\u00e9t\u00e9) \/ Britten<\/td>\n<\/td>\n<\/tr>\n
M\u00e9d\u00e9e<\/td>\nM\u00e9d\u00e9e \/ Charpentier<\/td>\n<\/td>\n<\/tr>\n
Si\u00e9bel<\/td>\nFaust \/ Gounod<\/td>\n<\/td>\n<\/tr>\n
Sesto<\/td>\nGiulio Cesare (Jules C\u00e9sar) \/ H\u00e4ndel<\/td>\n<\/td>\n<\/tr>\n
Ruggiero<\/td>\nAlcina \/ H\u00e4ndel<\/td>\nGlyndebourne Jerwood Project<\/td>\n<\/tr>\n
Ariodante<\/td>\nAriodante \/ H\u00e4ndel<\/td>\n<\/td>\n<\/tr>\n
Bertarido<\/td>\nRodelinda \/ H\u00e4ndel<\/td>\nGuildhall School of Music & Drama, Londres<\/td>\n<\/tr>\n
Arcabonne<\/td>\nAmadis \/ Lully<\/td>\n<\/td>\n<\/tr>\n
Armide<\/td>\nAmide \/ Lully<\/td>\nConservatoire National de R\u00e9gion de Toulouse<\/td>\n<\/tr>\n
Beppe<\/td>\nL\u2019Amico Fritz \/ Mascagni<\/td>\nGuildhall School of Music & Drama, Londres<\/td>\n<\/tr>\n
Charlotte<\/td>\nWerther \/ Massenet<\/td>\n<\/td>\n<\/tr>\n
Cendrillon<\/td>\nCendrillon \/ Massenet<\/td>\nOp\u00e9ra des Flandres (Op\u00e9ra studio), Gand<\/td>\n<\/tr>\n
Proserpina (Proserpine)<\/td>\nL\u2019Orfeo \/ Monteverdi<\/td>\n<\/td>\n<\/tr>\n
Sesto (Sextus)<\/td>\nLa Clemenza di Tito (La Cl\u00e9mence de Titus) \/ Mozart<\/td>\n<\/td>\n<\/tr>\n
Cherubin (Cherubino)<\/td>\nLe Nozze di Figaro (Les Noces de Figaro) \/ Mozart<\/td>\nGuildhall School of Music & Drama, Londres \/ Op\u00e9ra studio des Flandres, Gand et Amsterdam<\/td>\n<\/tr>\n
Dorabella<\/td>\nCos\u00ec fan Tutte (Ainsi font-elles toutes) \/ Mozart<\/td>\nGuildhall School of Music & Drama, Londres \/ Op\u00e9ra studio des Flandres, Gand<\/td>\n<\/tr>\n
Zerlina<\/td>\nDon Giovanni (Don Juan) \/ Mozart<\/td>\nConcerts \u00e0 Cannes, Bruxelles et Londres<\/td>\n<\/tr>\n
La P\u00e9richole<\/td>\nLa P\u00e9richole \/ Offenbach<\/td>\n<\/td>\n<\/tr>\n
Orlofsky<\/td>\nDie Fledermaus (La Chauve-Souris) \/ Strauss<\/td>\nConcert \u00e0 Londres<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb0″ override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb3″ top_padding=\u00a0\u00bb3″ bottom_padding=\u00a0\u00bb3″ back_color=\u00a0\u00bbcolor-lxmt\u00a0\u00bb overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″][vc_column width=\u00a0\u00bb1\/1″][vc_custom_heading text_size=\u00a0\u00bbh4″ text_weight=\u00a0\u00bb600″]R\u00e9pertoire de concert ex\u00e9cut\u00e9[\/vc_custom_heading][vc_column_text css_animation=\u00a0\u00bbalpha-anim\u00a0\u00bb]Partie d\u2019alto et de Soprano II dans des messes et oratorios de Bach, Campra, Charpentier, Durufl\u00e9, H\u00e4ndel, Joseph Michel et Mozart.<\/p>\n

Lieder et m\u00e9lodies d\u2019Armstrong Gibbs, Bellini, Berlioz, Brahms, Bridge, Caplet, Cavalli, Chaminade, Chausson, Duparc, Debussy, D\u00e9odat de S\u00e9verac, Faur\u00e9, Gounod, Haydn, Horder, Loeffler, Mahler, Mendelssohn, Poulenc, Purcell, Quilter, Ravel, Rubbra, Saint-Sa\u00ebns, Schubert, Schumann, Strauss, Warlock, Weill et Wolff.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_height_percent=\u00a0\u00bb0″ override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb3″ top_padding=\u00a0\u00bb3″ bottom_padding=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″][vc_column width=\u00a0\u00bb1\/1″][vc_custom_heading text_size=\u00a0\u00bbh4″ text_weight=\u00a0\u00bb600″]R\u00f4les[\/vc_custom_heading][vc_column_text css_animation=\u00a0\u00bbalpha-anim\u00a0\u00bb] Rosina Les Fian\u00e7ailles au couvent […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-301","page","type-page","status-publish","hentry"],"yoast_head":"\nR\u00e9pertoire - Sabine Garrone - Mezzo-Soprano<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sabine-garrone.com\/fr\/repertoire\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9pertoire - 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